Cyrus

Posted by christopher on February 21, 2011

Cyrus, flat out, was an incredible movie. A movie that makes you want to buy it, which sadly in this day and age is quite a compliment–for me at least.

Cyrus follows John, played by John C. Reilly coincidentally, his love interest Molly, played by Marisa Tomei or MT as I often call her, and Cyrus, or Jonah Hill / Jo. Hill for the layman. I jest of course, hopefully awkwardly, which is the embodiment of this film: awkward dramatic comedy. John is depressed having been divorced for now seven years; the epitome of a bachelor with an unkempt house, pizza everywhere, masturbating in bed with half an ass hanging out while listening to rave music. I’ve been there if you can’t tell. I digress. John meets Molly. Molly gives John purpose and happiness. Unfortunately, Molly has an adult son who is not too fond of John, lashing out in a rather devious, demented manner. And cue the laughter.

Cyrus was a miserable joy to watch. And by that I mean that it was truly entertaining, genuinely funny, but incredibly awkward, causing me to many times cringe at the situation unfolding. I’m generally reserved and try to avoid uncomfortable, confrontational situations. Cyrus does the exact opposite pursuing those difficult moments fully while maintaining its comedic sense.

The acting and writing were wonderful. Reilly embodies the everyman, the ‘you’ if you’re a male. He has a wonderful ability to deliver scenes and dialogue slightly off, but fitting given the context. Many times in Cyrus, and other films as well, he spaces the words just so that they’re not fluent but they’re fitting; he does so at times where the character is caught off guard and as you’d imagine is scrambling for the appropriate words. Tomei is emotionally true to her character. She clearly begins with a hardened wall of emotion based on some painful past relationship, but ultimately gives in as you would expect, opening to the kindness and sexiness–joke–of J.C.R. I invariably fell in love with her. Jo Hill is demented and dastardly and the true carrier of the comedy in the film. His uber serious, straight faced moments without question keep the film engaging and funny. Even the minor characters add comedic depth to the film. Specifically I’ll note Matt Walsh, who plays the husband-to-be of John’s ex-wife. His character is reminiscent of the character he played in Old School and at the same time the character played by Craig Kilborn: the dick new husband who you hate but always stands out because of it.

The filmography stood out to me as well. It has a slight touch of the live, candid camera fell but it’s subtle enough to not disgust, unlike some tv shows I know of. The zooming and refocusing of the camera within the frame and scene specifically called out to me in this point. I’m fond of this because it embraced me as a viewer, increasing the believability of the scene as if I were witnessing it play out truly.

Without a doubt, Cyrus should not be overlooked. It’s tight, has incredibly comedic range, and maintains a touching degree of emotion.

The Verdict:

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