127 Hours

Posted by christopher on April 13, 2011

As the movie goes so shall my commentary. There is really little need for any introduction, back story, or general warming notes to get into the meat of things.

127 Hours is unquestionably a good watch for the story of Aaron Ralston, directing by Danny Boyle, and performance by James Franco. It is entertaining, emotional, and though provoking. It is complicated in and of itself too. As my leading points indicate, pretty much everyone going into the movie knows the overarching story and the ending–in case you don’t, Aaron gets his arm stuck and has to hack it off to escape alive, all of which occurs over 127 hours. So the question and challenge becomes how to make things interesting. I found this was achieved in two ways.

First, the story arc is given the necessary underpinnings of Aaron the person, a somewhat selfish, thrill seeking, engineer-minded individual. These elements are weaved throughout the film, adding context and making sense of how Aaron got himself into being stuck and how he eventually got himself out. These elements also serve as a critical means of breaking up the monotony of you the viewer being stuck looking at Aaron’s face for the majority of the film. The flashbacks also more complexly bring you mentally out of the frame to a new place where Aaron is not stuck. By pulling you out and then pushing back in you keep from becoming completely immunized to what’s going on, fulling appreciating the degradation and desperation of the situation. And fundamentally it just helps keep things moving.

The second challenge and conquering of the challenge is with the photography. Because of the situation, there is little variety in what is actually being shown on the screen. It forces relatively tight but largely similar views. Boyle and his team took this challenge and dialed it up, getting incredibly tight on Franco and the situation but keeping it true to that form throughout even when not necessary. I found this captivating in that it puts a laser focus on one thing be it an object or action or emotion. This I think brings the viewer close to what is going on or what has happened or what is going to happen; the thoughts and emotions of Aaron himself. The same thoughts we all have after doing something stupid or wrong, processing all the events leading up and opportunities missed that could have prevented where you find yourself, or longing for that one thing that would make everything better or at least bearable.

Franco gave quite a fantastic performance. He is responsible for the emotional impact of the hand-stuck-in-rock problem, and develops the character of Aaron from adventurous to instinctive to resourceful to loving.

While I enjoyed the film and found it successful in the major elements of movies, it still lacks that certain something to turn it from good to great. As I think through why, I’m really only left with the lack of delivering something unexpected. Because it is based on a “story of the week” that I can even remember seeing on the morning news, I’m more or less satisfied from the onset. There’s a bit of curiosity just to see it end-to-end, and as I commented earlier the film delves into character elements of Aaron to add a layer of complexity, however there’s no real need to revisit this ever again. The little curiosity is now gone. The experience was pleasant but not pleasantly surprising the evokes the strong love we all end of developing for other movies.

So, see it, enjoy it, don’t buy it.

The Verdict:

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